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Readings for Critical Theory 3
- "Histories of the Tribal and Modern" James Clifford
- "Doctor, Lawyer, Indian Chief 'Primitivism' in 20th Century Art at the MoMA" Tom McEvilley, William Rubin, Kirk Varnedoe
- "The Magic Kingdom of the Museum" Don Kuspit
- "On the Museum's Ruins" Douglas Crimp
- "Critical Reflections" Trinh Minh-ha
- "Age, Race, Class and Sex: Women Redefining Difference" Audre Lorde
- "The Means of Correct Training" Michel Foucault
- "New Encounters with Les Demoiseues" Anna Chave
- "Picasso and Primitivism" Patricia Leighten
- "minimalism & Biography" Anna Chave
- "Talking Back" Bell Hooks
- "The Discourse of Others: Feminists & Postmodernism" Craig Owens
- "Feminist Literary Criticism and the Author" Cheryl Walker
- "Matisse in Morocco" Roger Benjamin
- "Going Native" Abigail Solomon-Godeau
- "The Myth of the Other" Zhang Longxi
- "What Is Post-Colonialism?" Williams & Chrisman
- "Colonial Discourse and Post-Colonial Theory" Laura Chrisman & Patrick Williams
- "Critical Reflections" Jonathan Crary
Books I've Read
Readings for Critical Theory 2
- "Imprint and the Rhizome in the Work of Cristina Iglesias" by Michael Newman
- "The Kristeva Reader" by Julia Kristeva
- "Memoirs of the Blind" by Jacques Derrida
- "Levinas on Memory and the Trace" by Edward Casey
- "The Trace of the Other" by Emmanuel Levinas
- "The Ontology of the Photographic Image" by Andre Bazin
- "Mourning and Melancholia" by Sigmund Freud
- "On Pictures and the Words That Fail Them" by James Elkins
- "The Index of the Absent Wounds" by George Didi-Huberman
- "Notes on the Index" by Rosalind Krauss
- "Natural History: Books 33-35" by Pliny
Future Reading
Readings complete as of 5/1/08
- Good Housekeeping magazine from 1909
- "The Feminine Mystique" by Betty Friedan
- "The Beauty Myth" by Naomi Wolf
- 5 essays from "The Power of Feminist Art"
- "Women & Madness" by Phyllis Chesler
Readings Complete as of 7/31/07
- "From Imitation to the Copy to Just Effect: On Reading Jean Baudrillard," essay by Kate Linker in Re-visions: New Perspecitives of Art Criticism, edited by Howard Smagula
- "Simulacra & Simulations, " by Jean Baudrillard, essay in Re-visions: New Perspecitives of Art Criticism, edited by Howard Smagula
- "The Work of Art in the Age of Mechanical Reproduction," in Illuminations book of essays by Walter Benjamin
- "Love & Loss: American Portrait & Mourning Miniatures," by Robin Jaffe Frank
Critical Theory Semester 1 fr/ "Artists, Critics, & Context," Paul Fabozzi
- "Postmodernism & Consumer Society," by Frederic Jameson fr/ The Anti-Aesthetic essay collection edited by Hal Foster
- "Howl," Allen Ginsberg
- "The Dinner Park: A Symbol of Our Heritage," Judy Chicago
- "Verb List," Richard Serra
- "Paragraphs on Conceptual Art," Sol Lewitt
- "I am for an art . . .," Claes Oldenburg
- "Happenings in the New York Scene," Allan Kaprow
- "Cultural Confinement," Robert Smithson
Readings for Critical Theory 1, semester 1
- "The Greatest Homosexual? Camp Pleasure and the Perofmative Body of Larry Rivers," Gavin Butt
- "Modernity & the Space of Femininity," Griselda Pollock
- "The Imaginary Orient," Linda Nochlin
- "Virility & Domination in Early 20th Centure Vanguard Painting", Carol Duncan
- "The MoMA's Hot Mamma's," Carol Duncan
- WWhy Have There Been No Great Women Artists?" Linda Nochlin
- "Believing Is Seeing," Mary Anne Staniszewski
Readings complete as of 7/14/07
- "Dead Stuff" by E. Annie Proulx, Aperture, Fall '97, pp. 30-35.
- "Of War and Remebrance" by David Joselit, Art in America, May '99, pp. 142-145.
- "Picasso's Collages and the Threat of War, 1912-13" by Patricia Leighten, Art Bulletin, Dec. '85, Vol. LXVII No. 4, pp. 653-671.
- "Pilgrimage to My Lai: Social Memory and the Making of Art" by Carol Becker, Art Journal, Winter '03, pp. 51-63.
- The Creative Habit, by Twyla Tharp
About Me
- Captain Kulig
- Thank you for visiting M. Kulig Fine Arts. I welcome any comments or questions that you may have about what you see here. All the prices listed do not include shipping. You may view the artwork in person by scheduling an appointment at my art studio in East Boston, Mass. Enjoy your visit and I look forward to hearing from you!
2 comments:
the special effects definitely ad an extra layer of eerieness...I like them, like them, yes I do!
Jonathan
and *I* like them very much too Sam-I-am!
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